Strange Arts & Visual Delights
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Edward Thomas Photograph: E.O. Hoppe/Corbis. From: https://www.theguardian.com/books/2015/may/31/edward-thomas-adlestrop-to-arras-review-jean-moorcroft-wilson “[K]illed at Arras on that first day of the battle [April 9] was the British poet Edward Thomas, who so loved the English countryside:
A Private This ploughman dead in battle slept out of doors Many a frozen night, and merrily Answered staid drinkers, good bedmen, and all bores: "At Mrs Greenland's Hawthorn Bush," said he, "I slept." None knew which bush. Above the town, Beyond `The Drover', a hundred spot the down In Wiltshire. And where now at last he sleeps More sound in France - that, too, he secret keeps. [Source: Martin Gilbert, The First World War: A Complete History] ***** Douglas Lyall Grant, a British POW in a German prison camp, on 28th January 1917 – “Renewed joy in the morning when it was discovered that two Russians had escaped last night. We wish them all the best of luck and a rapid journey over the frontier. The method of their escape was particularly cunning. Each day Russian orderlies wheel out barrels of refuse to a ground nearby where the pigs are kept. Today two of these barrels had refuse on the top but Russians underneath.” ***** “The Italian soldiers had not illusions about a swift breakthrough [at the 10th Battle of the Isonzo, beginning 10 May 1917]. Among their many jingles was the verse: Il General Cadorna Ha scritta alla Regina 'Se vuoi veder Trieste, Compra una cartolina.'" Gilbert translates: "General Cadorna / Has written to the Queen, / 'If you want to see Trieste, / Buy a picture postcard." [Source: Gilbert, The First World War] ***** Elias Canetti in the first volume of his memoirs: “I was twelve when I got passionately interested in the Greek wars of liberation, and that same year, 1917, was the year of the Russian Revolution. Even before his journey in the sealed freight car, people were speaking about Lenin living in Zurich [where Canetti lived with his mother]. Mother, who was filled with an insatiable hatred of the war, followed every event that might terminate it. She had no political ties, but Zurich had become a center for war opponents of the most diverse countries and tendencies. Once, when we were passing a coffeehouse, she pointed at the enormous skull of a man sitting near the window, a huge pile of newspapers lay next to him; he had seized one paper and held it close to his eyes. Suddenly, he threw back his head, turned to a man sitting at his side and fiercely spoke away at him. Mother said: ‘Take a good look at him. That’s Lenin. You’ll be hearing about him.’ We had halted, she was slightly embarrassed about standing like that and staring…, but his sudden movement had struck into her, the energy of his jolting turn towards the other man had transmitted itself to her … I was … astonished at Mother’s immobility. She said: ‘Come on, we can’t just stand here,’ and she pulled me along….. She never the called the war anything but ‘the killing.’ Since our arrival in Zurich, she had talked about it very openly to me; in Vienna, she had held back to prevent my having any conflicts at school. ‘You will never kill a person who hasn’t done anything to you,’ she said beseechingly; and proud as she was of having three sons, I could sense how worried she was that we too might become such ‘killers’ some day. Her hatred of war had something elemental to it: Once, when telling me the story of Faust, which she didn’t want me to read as yet, she disapproved of his pact with the devil. There was only one justification for such a pact: to put an end to the war. You could even ally yourself with the devil for that, but not for anything else.”—Elias Canetti, The Tongue Set Free ***** In Memoriam Private D. Sutherland killed in action in the German trench, May, 16, 1916, and the others who died [published in 1917] by E.A. Mackintosh So you were David’s father, And he was your only son, And the new-cut peats are rotting And the work is left undone, Because of an old man weeping, Just an old man in pain, For David, his son David, That will not come again. Oh, the letters he wrote you, And I can see them still, Not a word of the fighting, But just the sheep on the hill And how you should get the crops in Ere the year get stormier, And the Bosches have got his body, And I was his officer. You were only David’s father, But I had fifty sons When we went up in the evening Under the arch of the guns, And we came back at twilight-- O God! I heard them call To me for help and pity That could not help at all. Oh, never will I forget you, My men that trusted me, More my sons than your fathers’, For they could only see The little helpless babies And the young men in their pride. They could not see you dying, And hold you while you died. Happy and young and gallant, They saw their first-born go, But not the strong limbs broken And the beautiful men brought low, The piteous writhing bodies, They screamed “Don’t leave me, sir”, For they were only your fathers But I was your officer. [Source: Winter of the World] Editor’s note: “Young officer-poets who wrote about their men often used the language of love poetry…. Mackintosh had carried the badly wounded Sutherland out of a German trench, pursued by the enemy, but the man had died before he could be got to safety.” Here's my own take on that bloody year. Days of 1917 On the eighth day God looked and the world was mad. He sent forth a pouter pigeon, saying, Alight in a poor out of the way place, maybe southern Appalachia, then fly around the world, flitting up and down, and tell me if any cling to tatterdemalion faith. Shall I release the waters of another flood? Perched above brick-red plots she sees men and women scratch the dirt like hungry biddies, sees drivers and wagons hauling chestnut bark lined up at a tannery, a line of barefoot women selling them apple brandy-- they call it corpse-reviver, gall-breaker, gum-tickler, milk of the wild cow, pain drowner: Pigeon calls it wife-beater and bust-head. She takes flight, the world below snorts and bites its stall: fire coals belch from sawmill boilers, the bristling Atlantic scrapes its tusks against Hatteras. She flies eastward, over seas spattered with white caps and periscopes and bodies of sailors who once swaggered and cussed like gods. She reaches a guarded mount, turns inland, and skims over Polygon Wood, racing ahead of a creeping barrage inundating no-man’s land with fire. She hovers over Tommies engulfed by mustard gas, over Jerries out of sight who suffocate in mud, though once they could swim the length of a pond on one deep breath. Here and there a comrade dies to rescue one he loves, a padre breathes life into one who is losing hope. The pigeon looks up to heaven. They’re drowning themselves ready enough. You can hold off.
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