Strange Arts & Visual Delights
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My grandmother, Sallie Grubb Absher (1903 – 1983) Tell Me Where All Past Years Are She had a broad lap, a feed sack apron. We sat warming on the stoop, and everything around falling fell onto her sack, golden catkins, chinquapin burs, pods of locust sticky with their honey, dust of stars, the dust of furrows. She hummed; I translate: When will the time come back to me when hours were in my pocket as many and heavy as loose pennies, when days oozed slow and thick as end-of-summer honey, when happiness formed in my hands like butter from the churn to squeeze and pat into a cake and print with a petal crown of daisies? Now we both are humming, sixty or more years between renditions, and while we sing the sun clocks out and the moon on the ridgetop stands and shakes out its lap, a glowing radium dial. Visions International, 2022 The Day The little room’s only window looked out towards the ridgetop, the Dunkard church in the curve of the two-lane, and, just beyond, the graveyard. The morning sun sidled in past the half-closed slats and resolved into rays and flecks burning in the light—dust motes, I know, and likely knew then, too, but still entranced I watched one morning after our breakfast. On this day I’d have otherwise forgotten, probably my grannies were in the kitchen-- Emma with arms stretched out to read who’d died (she’d be in the Dunkard cemetery soon), half-crippled Sallie stringing the green beans (years of suffering and strokes lay just ahead)-- while I stood quietly in the little room to see random sparks caught in the sunbeam’s glow, worlds I could move with a single breath of poem or prayer, but could not control. Skating Rough Ground, 2022 Out of Selection Come Painful Cattle The present is a cow grazing the meadow—a fawn-colored Jersey, from muzzle to switch absorbed in filling her rumen. Many cattle, many presents, moving together across the meadow, up the hill into a stand of locusts. They graze and chew, passing the world through four stomachs beautifully named—omasum that some call manyplies, abomasum, the honey-combed reticulum, the paunch. The cattle leave their pasts behind, in dark green puddles. Let the future come to you. It will swell like a freshening udder, it will break into dark bloom like the flower of afterbirth, it will be rough tongues licking breath into your lungs, throatfuls of milk sucked greedily from the teat, a season of frolic, a day of weaning and bawling, the moment when ownership cuts into your ear, the months’ long dark of mire and muck when the dog-foot and clover hay bursts with summer’s fragrance. It will be the cold shock of the salt-block on your tongue, the heat of the chemical dehorning, the days fattening in the feedlot, the rebirth in the chute, the ride, the unnamed place you go to. To lard its secret flesh with purpose, the future will feast on lespedeza and wind-punched apples, on corn shocks and silage sweet with that year’s molasses. Let it go slow, placing its feet only where you have stepped, seeing only what you have seen, trees herded into evening shade. May it come up behind you like a man with a halter to lead you back to the barn. A different, later version appeared in Skating Rough Ground (Kelsay Press, 2022) NOTE: The title is from Gertrude Stein, “A Box,” in Tender Buttons, 1912 The Presentness of the Past and Future “For Augustine, the past and the future are present to the reflecting mind in the present, and that mutual co-presence is exemplified in the ontological involvements of actions and their larger temporal contexts. The past and the future are ontologically present in the present, not just objects of thought for the mind. Things in the present are related to their being to the past and the future. In his way, Augustine belabored these puzzles, and those who have followed him (notably Heidegger) are indebted to the breakthrough that he opened up.... Augustine certainly sees the past no longer existent and the future not yet existent, but he also sees them as simultaneously existent and present in the present to the relating and involved soul or mind. In his language, the soul is 'distended'; he speaks of a 'distentio animi,' some of those meaning is present already in ‘intentio.’ The word intentio in Latin has meanings a lot broader than its English cognate (‘to put in tension’ is only one, and distento in some ways merely selects and emphasizes the meanings that English has lost."—Andrew P Porter, Living in Spin: Narrative as a Distributed Ontology of Human Action (AuthorHouse, 2011), 117-8. ***** “The first [the naturalistic] concept of time cuts up time into accurately limited single sections and into single facts standing in those sections, which is finally possible only by reducing time to spatial happenings. Historical time, on the other hand, means a stream in which nothing is limited and isolated, but where all things flow into each other, where past and future are put into each other, where each present time carries, in a productive manner, at once past and future, where a measuring is not possible but only caesuras, which are more or less arbitrarily put in according to connections of meaning and great changes of meaning. The chronological reduction of those proceedings to spatial solar time is only a very crude and superficial means of orientation, which has nothing to do with the inner division, with the inner slowness or rapidity.”—Andrew P Porter, Living in Spin, 92-3, summarizing Ernst Troeltsch's formal logic of history in Der Historismus und seine Probleme. Memory and History “[W]hat happens is inseparable from what people think happens. Inseparable; but not identical, and not enduring.... when it comes to a human event, a later realization that what happened was not what we/thought happened usually involves an increase in the quality of our knowledge, together with a decrease in the quantity in our memory.—John Lukacs, “The Presence of Historical Thinking,” in Remembered Past, 6-7. Source: https://www.pinterest.com/pin/433893745323772064/
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